noun
anything that relieves distress or pain: The music was an anodyne to his grief.
Anodyne has a surprising etymology. Its Greek original, ˛ą˛Ôáą“d˛â˛Ô´Ç˛ő “painless,” breaks down to the elements an-, áą“d-, -yn-, -os-. The first element, an- “not,” is from the same Proto-Indo-European source as Latin in- and Germanic (English) un-. The second to last element -yn- is from the noun suffix -Ă˝˛Ôŧ; the last element, -os, is an adjective ending. The main element ´Ç»ĺĂ˝˛Ôŧ “pain” (Ă©»ĺ˛â˛Ô˛ą in the Aeolic dialect) consists of áą“d-, a derivative of the Greek root ed-, od- from the Proto-Indo-European root ed-, od- “to eat” (source of Latin edere, Germanic (Old English) etan, Hittite et-, Homeric Greek Ă©»ĺłľ±đ˛Ô˛ąľ±, all meaning “eat, to eat.”) In Greek ´Ç»ĺĂ˝˛Ôŧ is something that eats you (cf. colloquial English, “şÚÁĎÍř’s eating you?”). The Germanic languages also have the compound verb fra-etan “to eat up, devour,” which becomes in German fressen “devour, gorge, corrode,” and in Old English fretan “to devour,” English fret, which nowadays usually has only its extended sense “feel worry or pain.” Anodyne entered English in the 16th century.
… he realized that then, and now, work had been an anodyne of sorts. It had occupied his mind.
… he would run down the great staircase, with its lions of gilt bronze and its steps of bright porphyry, and wander from room to room, and from corridor to corridor, like one who was seeking to find beauty an anodyne from pain, a sort of restoration from sickness.
noun
a person who mars or defeats a plot, design, or project by meddling.
The noun marplot is a combination of the verb mar “to damage, spoil” and its direct object, the noun plot, formed like the noun pickpocket. Marplot is a character in a farce, The Busie Body, written by Susanna Centlivre, c1667-1723, an English actress, poet, and playwright, and produced in 1709. In the play Marplot is a well-meaning busybody who meddles in and ruins the romantic affairs of his friends.
… Time is unalterable; he swings his merry bomb through centuries, nor feels a jot the mental agony of us sublunary mortals; therefore is he, to our thinking, a Marplot.
Humpty is Puss’ childhood frenemy: pal, rival and seemingly inept marplot to our hero’s suave efficiency in a crisis.
The rare adjective riant is a direct borrowing from the French present participle riant “laughing,” from the verb rire, ultimately from Latin °ůÄ«»ĺŧ°ů±đ “to laugh,” which comes from a very complicated Proto-Indo-European root wer- “to twist, bend” (°ůÄ«»ĺŧ°ů±đ would mean “twist the face or mouth”). Wer- has many suffixes and extensions that form some startling words. The meaning of the root extended with the suffix -t is clearly seen in Latin vertere “to turn,” with its many English derivatives, e.g., revert, convert, invert. The Germanic form of wert- is werth-, source of the English suffix -ward(s), as in homeward(s), toward(s). A variant form of wer- with the suffix -m forms Latin vermis “worm” (from its twisting) and Germanic wurmiz (Old English wyrm “dragon, serpent”; English worm). Finally, somewhat related to °ůÄ«»ĺŧ°ů±đ is the Latin noun rictus “wide open mouth, gaping jaws” (English rictus). Riant entered English in the 16th century.
Mistress Marjory bent her head with a murmured assurance of “giving him small trouble,” but again the riant eyes belied the lips …
At the head of that open and legal agitation, was a man of giant proportions in body and mind; … a humor broad, bacchant, riant, genial and jovial …