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Bauhaus
[bou-hous]
noun
a school of design established in Weimar in 1919 by Walter Gropius, moved to Dessau in 1926, and closed in 1933 as a result of Nazi hostility.
adjective
of or relating to the concepts, ideas, or styles developed at the Bauhaus, characterized chiefly by an emphasis on functional design in architecture and the applied arts.
Bauhaus
/ ˈʊˌʊ /
noun
a German school of architecture and applied arts founded in 1919 by Walter Gropius on experimental principles of functionalism and truth to materials. After being closed by the Nazis in 1933, its ideas were widely disseminated by its students and staff, including Kandinsky, Klee, Feininger, Moholy-Nagy, and Mies van der Rohe
( as modifier )
Bauhaus wallpaper
Bauhaus
A German school of applied arts of the early twentieth century. Its aim was to bring people working in architecture, modern technology, and the decorative arts together to learn from one another. The school developed a style that was spare, functional, and geometric. Bauhaus designs for buildings, chairs, teapots, and many other objects are highly prized today, but when the school was active, it was generally unpopular. The Bauhaus was closed by the Nazis, but its members, including Walter Gropius, spread its teachings throughout the world.
Word History and Origins
Origin of Bauhaus1
Word History and Origins
Origin of Bauhaus1
Example Sentences
The band drew aesthetics from the experiments of post-punk and the nascent goth movement of the time, with admiration for sinister yet seductive acts like the Birthday Party, Bauhaus and Malaria.
During his time at the California College of the Arts — then called the California College of Arts and Crafts — Marcelin was drawn to Bauhaus, a German school of art that melds functionality and design.
You can picture him slinking off to a goth club to sway and stare away the night to the strains of Bauhaus’ “Bela Lugosi’s Dead.”
Back in the old world, back before the war, he studied under the Bauhaus and dedicated himself to a structural purity that makes Manhattan’s loveliest skyscrapers seem fussy.
Tom Jacobson’s new plays ‘The Bauhaus Project’ and ‘Crevasse’ are thrilling in the scope of their ambition.
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