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Teaching a song using solfege rather than the lyrics helps the listener hear patterns and intervals, and even understand phrases and form that otherwise might be obscured by lyrics.

Eurhythmics begins with ear training, or solfege, to develop the inner musical ear.

This differs from Kodály’s use of solfege in that it is always combined with movement.

Depiction of Curwen’s Solfege hand signs.

Solfege corresponds to the notes of the major scale, using the syllables Do, Re, Mi, Fa, Sol, La, and Ti.