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We memorized all of Guston’s and De Kooning’s paintings and looked at Baselitz, ��à�辱���, Richter and Kiefer.

Mr. Wodiczko’s large-scale installations sell in the low- to mid-six figures, largely to institutions like the Hirshhorn Museum and Sculpture Garden in Washington, Fundació Antoni ��à�辱��� in Barcelona, Spain, and the National Museum of Modern Art, Kyoto in Japan.

But please don’t miss Paul Klee’s gorgeously ominous “Black Herald” of 1924; a wonderful Klee-like painting of an abstracted garden made in 1949 by the young Antoni ��à�辱���; and a little painting from around 1906 by José Gutiérrez Solana, of masked street musicians that echoes back to Redon’s spooky canvas, “The Angel of Destiny,” from around 1900.

The co-curators Marta Gili of the Jeu de Paume in Paris and Carles Guerra of the Fundació Antoni ��à�辱��� in Barcelona have selected roughly a dozen projects—done in the U.S.,

Gary Hume, Tracey Emin and Michael Craig-Martin were persuaded to put pieces in that year, as were honorary Academicians Antoni ��à�辱��� and Ed Ruscha.